Event Metal : TERISI METAL FEST - Metal Head Zine

P.T.U (PASUKAN TERISI UNDERGROUND) X RTFC ( COLONY INDRAMAYU BARAT )
PRESENT !!!
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TERISI METAL FEST
Minggu 22 Mei 2016
At. GOR DARMA AYU - Indramayu, Jawa Barat Indonesia
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V.O.M.I.T.I.N.G
- HUMILIATION (Bandung)
- SAFFAR (Bandung)
- INFERY (Bandung)
- AMPUTASI VITAL (Indramayu)
- PEGAT OTAK (Subang)
- JAKARTA DESPERATE (Jakarta)
- CH.09 (Indramayu)
- B-DENK (Indramayu)
- ASTERIA AURORA (Karawang)
- RETALIATION (Indramayu)
- SEX ANGEL (Subang)
- WAKE OF ADVERSITY (Brebes)
- MONUMEN (Kuningan)
- GAME OVER (Cirebon)
- DREAD MARISSA (Indramayu)
- LAST KILLED AILEEN (Subang)
- AFTER BREAK (Indramayu)
- GRINDOWN (Haurgeulis)
- HARDMATTER (Haurgeulis)
- TYRANATION (Hauegeulis)
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TIKET PRESALE : 25.000 Free Stiker
OTS : 35.000 Free Gelang

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SUPPORTED By
- RTFC INDRAMAYU BARAT
- P.T.U PASUKAN TERISI UNDERGROUND
- L.U.G.S
- 3JKC SHOPP (SEPATU)
- UNITE COMPACT CREW
- B-DENK
- YAULL CLOTH BREBES
- REDAM AMARAH
- KIRIK CLOTH
- S.D.M SUMBON DEATH METAL
- GROOVYGRIND CLOTHING ART
- PROGRRESSER INDRAMAYU ILLUSTARATOR
- DEMONIC ART
- I HATE GUNZ MERCH
- RETALIATION MERCH
- RESSTU BOEMI ART
- HELL ROSE MERCH
- DINOS ART WEAR
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Jangan lupa MENABUNG
TERSEDIA BOOTH & MERCHANDISE
- GROVYGRIND CLOTING ART MERCH
- RETALIATION MERCH
- ARTWOKER
- GRIMHOLD MERCH
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- Dan lain lain
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ATWORKER BY
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INFO FULL :
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Event Metal : REVIVAL FEST Summer Of Noise - Metal Head Zine

Youth Project 

Present :

Revival FEST - Summer Of Noise
Minggu 24 April 2016
Live at Gor Dharma Ayu, Sport Center - Indramayu

Guest Star :

- Down For Life (Metalcore - Solo)
- Romy & The Jahats (Punk Rock - Jakarta)
- Saffar (Death Metal - Bandung)
Semesta (Gothic - Tangerang)
- The Sabotage (Street Pogo Punx - Jakarta)
- Knockdown (HC - Yogyakarta)
- Astana (Ghotic Deathcore - Majalengka)
- Over Fuck (Trash punk - Indramayu)
- Errol (Hardcore - Indramayu)

Supported By :

- Z.U.C
- Fedder 45273
- Jingga Savana
- Hijau Manufaktur
- Global
- Demonic Art
- Urbandit Distro
- Midori Store

Media Partner :

- Indramayu post
- Indometalzine (Indonesia Metal Magazine)
- Radio K2 FM

For info :
Cp / 088802205098
Invite / 5B8DC80A

Overfuck Band Trash Punk Indramayu, Mempersiapkan EP Album di Tahun 2016 Metal Head Zine

“Overfuck” adalah salah satu band indie dari kota Indramayu dengan genre Thrashpunk yang dibentuk pada tanggal 1 Maret 2000. Band yang beranggotakan Triee (vocalis), Donny (guitaris), Rengga (bassis), dan Fian (drummer) ini sering mengisi acara-acara pensi sekolah dan masih eksis hingga sekarang.

Overfuck terbentuk ketika para personil masih duduk ditingkat SMP, mereka sering kumpul bareng, mempunyai visi dan misi yang sama sehingga terbentuklah sebuah band yang dinamakan “Overfuck”. Kata Overfuck sendiri mengandung arti kebencian, seperti yang diungkapkan oleh Donny (guitaris), “Dulu semasa kami SMP, lagu-lagu yang kita bawakan banyak sekali mengandung unsur-unsur kebencian terhadap pemerintah, terhadap aparat-aparat penegak hukum yang memang masa itu kebanyakan band underground dan khususnya PUNK memang sangat membenci sistem di pemerintahan. Sebenarnya dulu maksud dinamakan OVERFUCK ini mengandung arti kebencian. Yaaa.. intinya biar bisa diingat aja!”

Overfuck terinfluence band-band dari dalam dan luar negeri seperti Turtles Jr, Tcukimay, dan Keparat untuk band dalam negeri, dan The Exploid, The Casualties, Sepultura, Anthrax dan Slayer untuk band luar negeri.

Overfuck sendiri tahun ini dijadwalkan akan rilis EP Album, dan beberapa lagu Overfuck yang sudah dishare di Reverbnation diantaranya: Pahlawan Devisa, Bobrok, Penguasa Tahta, Ambisi Tanpa Kendali dan Angeline serta 3 lagu baru masih tahap rekaman. Khusus lagu Angeline terdapat di Albun kompilasi HELLPRINT WEST JAVA INVASION. Lagu Angeline ini didedikasikan untuk seorang anak kecil di Bali yang menjadi korban kekerasan orang tuanya.

How Cacophonous Records changed extreme music

Having brought the likes of Cradle and Dimmu to an unsuspecting world, Cacophonous Records’ history is entwined with the birth of black metal. Can their resurrection herald a new, dark dawn?

In an era when there are almost as many record labels as there are bands making records, it’s easy to forget that there was a time when labels were fewer and further between, not least in the world of extreme metal. Back in the 80s and 90s, being signed became a genuine status symbol not least because, pre-internet, having a label behind you was often the only way to get your releases into the hands of fans and your music into the ears of potential listeners. No Bandcamp, YouTube, Spotify or Facebook back then – hell, we didn’t even have MySpace.

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It was against such a background that the explosion of second wave black metal took place and almost all the key releases of the 90s were scattered over just a handful of labels: Osmose, Candlelight, Deathlike Silence, Fullmoon, Misanthropy, Merciless, No Fashion and, of course, Cacophonous Records, who helped launch the likes of Cradle Of Filth, Dimmu Borgir, Bal-Sagoth, Gehenna, Primordial and Sigh.

Cacophonous released Gehenna’s Seen Through The Veils Of Darkness (The Second Spell) in 1995

Now, after more than a decade’s silence, Cacophonous is returning from the abyss, with its shadowy founder Frater Nihil once more at the helm. This year is set to see a slew of new releases, not only archive material but fresh recordings by completely new signings including The King Is Blind and The Infernal Sea. But before we look to the future we must venture into the dark past, to understand just why the label was so important...

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The roots of Cacophonous are actually embedded in another iconic UK label, Vinyl Solution. Growing from the Portobello Road record store of the same name, it offered a diverse roster from the worlds of techno, hip hop and hardcore punk, alongside significant thrash and death metal bands such as Cancer, Macabre, Cerebral Fix and Bolt Thrower.
Initially folding lyric sheets in exchange for a few records, before eventually taking over the mail order, Frater Nihil – then known simply as Neil Harding – was pretty well-versed in the business by the time he was offered a position overseeing the label. Almost immediately he set about to separate its metal component and turn it into a new self-contained label; Cacophonous was born.
The plan at first was to just release seven-inch records and this is what he did, showcasing underground acts such as Sigh, Kawir, Psychic Pawn, Megiddo and Monolith. The latter was a homegrown thrash/death metal band perhaps most notable for featuring drummer Nick Barker, a soon-to-be member of Cradle Of Filth – as it turned out, it was a crossing of paths with Cradle in 1993, and their induction of Barker, that would set the course for both parties.

Want to read the full article?

How Enslaved have stood the test of time

Over 25 fascinating years, Enslaved have shrugged off their underground roots to become one of the most enduring and fearless bands in metal. And they’ve done it all their way

In a world where we’re constantly fretting about the ability of younger bands to remain enduringly creative, the likes of Norway’s Enslaved, with 25 years of history and 13 albums to their name, could teach us all a thing or two. For their towering frontman, bassist/vocalist Grutle Kjellson, the secret is simple. “Make music for yourself,” he shrugs. “If it sounds good, then keep it. And don’t be a dick! Ha ha ha!”

Enslaved have carved a fascinating path, starting from primal black metal roots in the subgenre’s classic early-90s period, and reaching, by way of a spiritual embrace of ancient Norse culture, progressive compositions of cosmic profundity that with each release continue to redefine what extreme music is capable of. This March, they celebrate their 25th anniversary with three commemorative shows in London, each covering a period of the band’s history. This is no dewy-eyed nostalgia from a band past their prime, but a waypoint. Their creativity only continues to increase, along with the size of their fanbase.
Upon sitting down with Grutle and fellow founding member/guitarist Ivar Bjørnson, friends who formed Enslaved in their teens, and who remain the band’s core creative duo, Hammer’s first question has to be: how the hell do you do it?
Grutle, stoic but wry, takes the lead. “Maybe it’s because we change, at least in some way, from album to album. It’s really down to a simple philosophy, I think; we’ve always tried to evolve.”

Enslaved around the release of their debut, Vikingligr Veldi, in 1994

Ivar, softly spoken and earnest, concurs. “Having something as simple as that makes it easier. There’s never a question of why we’re doing it.”
“We like to check out different genres and be inspired,” adds Grutle. “If something we make sounds like something we’ve done before, we throw it away. Creating music is about making something interesting for yourself. If you’re trying to construct something to suit others, it’s not music – it becomes some sort of industry. It’s a cliché, but it’s supposed to be heartfelt.”
They lament how some young bands treat music as a business, and in doing so, lose something of the naivety that can lead to creative magic. Ivar reminisces of days gone by; when the band were reckless, full of self-belief. “The studio we recorded [1994 sophomore album] Frost in still has the record’s production sheet on the wall, because it shows that as long as you believe in your visions, you can take it quite far,” he states, proudly. “As we’ve progressed, the band’s popularity has grown immensely. The only thing that has gone downwards is the monetary income, and that’s the same for everyone. I’m not saying it’s ideal, but we feel more motivated, because I think we’re in it for the right reasons: for the love of doing it.”

Want to read the full article?

Lzzy Hale: living the rock’n’roll dream The Gospel according to Lzzy Hale

Halestorm’s leader might be a role model, but she’s still got time for the wild life.

From tour bus pranks to drunken antics, it’s all here. Horns up!

I DIDN'T NAME MYSELF LZZY

"It came from a superfan of ours when I was about 17 years old. I used to go by Liz, and this superfan was obsessed with me and Ozzy Osbourne. There was this thing on the internet called 'shipping' [fans imagining celebrities in relationships]. She did that with me and Ozzy and started calling me Lzzy. She was leaving messages on our first webpage, and then all these girls who came to the site thought that's how I spelled my name, so they started dropping the vowels from their own names! I thought it was kinda cool and I didn't correct them. I don't think that superfan even realises; it's been, like, 15 years since I've seen her. Wherever you are, thank you."

WORKING WITH DAVID DRAIMAN WAS AWESOME

“He was super-involved. He really wanted to showcase who I was as equally as he was. We spent a lot of time on the song [Device’s cover of Ozzy Osbourne and Lita Ford’s Close My Eyes Forever], and he showed me this trick in the studio, where if you’re struggling to hit a high note, you put your arms over your head so your lungs can expand and they’re not put under any strain. He’s very committed to every project he does, which I thought was super- inspiring. He doesn’t half-ass anything.”

I NEVER THOUGHT MY BROTHER AREJAY WOULD OPEN UP TO ME

“But we’ve come to this really interesting place in the past couple of years where we’re really close. We’re able to talk about things and be really open with each other – not just about our relationship but talking about girls. It’s been really nice having those heart-to-hearts.”

Why nobody can stop Babymetal

Beyond novelty. More than a phenomenon. We hit Japan and find Babymetal's world takeover gathering pace

The framed tour posters lining the backstage corridors of the Yokohama Arena testify to its storied past. The 17,000-capacity concert hall may not have the same cultural cachet as Tokyo’s illustrious Budokan, but it has acquired its own place in the national consciousness: The Rolling Stones, The Who, AC/DC, Queen and Kiss have graced its stage, trailblazing Japanese metal icons X Japan have headlined the venue – modelled on New York’s legendary Madison Square Garden – on no fewer than nine occasions, and it was here, on August 26, 2001, that Pantera played their final show, co-headlining (alongside Slayer) Beast Feast, Japan’s inaugural all-day metal festival.

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Sometime in 2013, Suzuka Nakamoto, Yui Mizuno and Moa Kikuchi, now better known to the world at large as Babymetal members Su-metal, Yuimetal and Moametal, were taken to the arena by their mentor Key ‘Kobametal’ Kobayashi for a J-Pop concert. One day, he promised the girls, their group would stand upon this stage, would see and hear thousands of dedicated fans singing their songs back to them. The three teenagers listened attentively to their producer as he outlined his vision for the future, each secretly wondering how such a seemingly impossible dream might come to pass.
Two years on, that prophecy has become a reality. On the penultimate weekend before Xmas, the trio are back at the Yokohama Arena, not as wide-eyed music fans, but as the headline attraction on two consecutive evenings. By mid-afternoon on December 12, there are thousands of fans patiently queuing in the light afternoon rain and ‘Sold Out’ stickers are plastered all over the numerous merchandise boards that surround the venue. Hours before showtime, there’s already a party atmosphere in place. Men in Lycra skeleton bodysuits pose for photos alongside tiny Babymetal doppelgangers, while teenage girls gleefully apply black and white face paint to their friends and strangers alike. More than just a regular gig, this feels like An Event.

John McMurtrie

The brace of shows in Yokohama are billed as ‘The Final Chapter Of Trilogy’ for Babymetal, closing out a hugely important year for the band domestically, which saw the girls play statement headline shows at the Saitama Super Arena (capacity: 30,000) and Makuhari Messe in Chiba (capacity: 25,000). In their native land, according to figures collated by the statistics-tracking company Oricon, the trio sold 47,241 copies of their self-titled album in 2015, plus an impressive 26,667 DVDs and 52,240 Blu-Ray copies of their Live At Budokan, Red Night & Black Night Apocalypse and World Tour 2014, Live In London collections. In the UK, Babymetal’s biggest market outside Japan, the band’s next headline gig, on April 2, will take place at the 12,500-capacity SSE Arena, Wembley. Such statistics have made ripples beyond the music industry: influential Japanese magazine Nikkei Business recently featured the group in their ‘100 People To Make The Next Generation’ power list, noting, “They are not Idols: they are first level artists.”

The most intriguing aspect of the trio’s weekend in Yokohama, then, is the notion that the shows are not merely a celebration, well-merited victory laps on a two-year campaign which has made the Japanese trio the most talked about new band on the planet, but that they will offer tantalising glimpses into Babymetal’s future.

The 10 best songs about drugs

In the second of a three-part series, these are the ten best songs about getting fucked up

In part two of our three part feature on sex, drugs, and rock 'n' roll we delve into the murky world of all things drug-related. It goes without saying that this a contentious subject and that we are in no way advocating the use of any of these substances. Drugs are bad, m'kay. That said, it is also the easiest of the three subjects to find songs about, and, like it or not, some of the greatest music ever made was written by who may have indulged in something rather stronger than Earl Grey.

Queens Of The Stone Age – Feel Good Hit Of The Summer

While many artists allude to drug use in some roundabout fashion, often denying all knowledge after the fact, there is no disguising the intent of the opening track from Queens Of The Stone Age's classic album, Rated R. Upon seeing the lyrics – “Nicotine, Valium, Vicodin, marijuana, ecstasy and alcohol” with a chorus of “cocaine” – Judas Priest frontman Rob Halford (who provided backing vocals) was noted to have said, “Ah, a rock 'n' roll cocktail. I know that one!”

Black Sabbath – Snowblind

If not for the whispered “cocaine” at the end of the first verse then it might appear to the casual listener that Snowblind, from Sabbath's Vol 4 album, paints a picturesque tale of winter at it's most beautiful. In fact, it was nothing of the sort: the band were completely obliterated on drugs, spending half the budget for the record on coke, which, according to guitarist Tony Iommi, they'd have delivered to the studio in speaker boxes. Pure as the driven snow, indeed.

Hawkwind – Motorhead

Come on, you didn't seriously think we'd do a feature on drug induced rock 'n' roll without including some Hawkwind, did you? Ironically, however, this classic – written by Lemmy at four o'clock in the morning, on the balcony of LA's Hyatt hotel – is all about speed, and when Lemmy got busted for possession of the substance by Canadian customs, he was promptly kicked out of the band for “doing the wrong drugs”. “Being fired from Hawkwind for drugs,” he said later, “is a bit like being thrown off the Empire State Building for liking heights!”

The Dwarves – Free Cocaine

Never backwards in coming forwards, punk rock mentalists The Dwarves make it known in no uncertain terms that they would quite like to partake in some Colombian marching power, and they'd be a lot happier if you paid for it. “The best things in life are free/And if they're free why don't you give them to me?” insists frontman Blag Dahlia. Whatever happened to “please” and “thank you”?

Zeke – Let's Get Drugs

“Hey, he's acting weird, it must be drugs,” begins this blisteringly fast ode to amphetamines from Seattle lunatics Zeke. Or at least that's what we're guessing the song's about, but most of the lyrics are completely indecipherable with the exception of the title and the words “let's get high”. Given that it clocks in at just 52 seconds long there was obviously some urgency in the matter. A more fitting title might be Let's Get More Drugs.

King Prawn – Smoke Some Shit

London punk/ska 'bois' King Prawn big up the biftah and sing salutations to skunk in this 420 friendly anthem from their massively underrated 2003 album Got The Thirst. Of course, there remains some considerable debate about whether marijuana use should be a criminal offence, to which the Prawn quite rightly respond: “Realise, illegal or legit/The whole world's still gonna take a hit.” Puff, puff, pass, bois.

Clutch – Spacegrass

Speaking of wacky tobaccy, it would be an act of almost criminal negligence not to include a little stoner rock in our countdown, and while Clutch have long surpassed the 'stoner' tag there can be no question that Spacegrass is the king of them all. Black Sabbath's leaf may be sweet, but it doesn't come any better than watching the universe expand in a Galaxy 500 with Jesus on the dashboard. Perfect.

Ramones – Now I Wanna Sniff Some Glue

The much missed 'brudders' Ramone may not want to walk around with you or go down to the basement, but they do seem rather keen on solvent abuse, glue being the drug of choice for penniless punk rockers back in the day. With Evo-Stik being considerably cheaper than cocaine or even speed, it was a no-brainer, which, incidentally, is what you'd have if you tried it. “I hope no one really thinks we sniff glue,” remarked bassist Dee Dee Ramone. “I stopped when I was eight.”

Alice In Chains – Sickman

In case it were ever needed, this is stark reminder of the damage done when drug use spirals out of control. We may have made light of the subject, but Godsmack (and several other songs from the Dirt album from whence it came) shows the grim reality of drug addiction, particularly heroin. “What's the difference, I'll die/In the sick world of mine,” sings vocalist Layne Staley, his lyrics proving horrible prophetic. At the time of his death, in 2002, he was reported to have weighed just 86 pounds.

The Wildhearts – Sick Of Drugs

This seems like a fitting end to our brief foray into all things illicit. While there have been many great songs written on or about drugs, the fact is that they often come at a heavy price (and not just financially), the Wildhearts being a prime example – former bassist Danny McCormack in particular struggling with heroin addiction. If memory serves, he also spent a month in a psychiatric hospital after an acid trip went badly wrong. Be careful out there, kids.

Why Scott Ian wants to turn off the internet

The Anthrax shredder on why his fans still by physical products

Following the release of Anthrax's new album For All Kings, mainman Scott Ian discusses what's now known as the 'Adele phenomenon'.

Scott knows full well that despite today's streaming culture, there are people out there who are willing to spend money on a physical product. He says that Anthrax are in a unique bracket of metal bands like Iron Maiden and Slayer and other “bands that have been doing it so long... have built and maintained an audience.”
“Our fans our very loyal and very strong and want that physical product,” he continues.
But obviously the internet and streaming services like Spotify and YouTube allow everyone on the planet to consume almost every song ever written at their leisure. Which Scott isn't all that happy about.
"If there was that option to have the internet to go away, I think the experience for everybody when it comes to music would be that much better," he argues.
Do you think shutting down the internet would be better for the music business?

Defend Akan Rilis Single ‘We are the Stubborn’ Awal Maret 2016 Metal Head Zine

Defend adalah unit hardcore asal Jakarta. Terbentuk di November 2015 bukanlah menjadi tolak ukur keseriusan bermusik di dalam band ini. Digawangi oleh Lucky Julian (vokal), Aria Panca A. (gitar dan vokal latar), Wisnu Ikhsantama W. (gitar dan vokal latar), Bagas Tenditya P. (bass dan vokal latar), serta Rahmawan Rianto (drum), mereka akan merilis single perdana mereka 'We are the Stubborn' pada 1 Maret 2016 via official website www.defendhardcore.co.nr.

We are the Stubborn merupakan sebuah penafsiran dari fenomena sosial di tengah masyarakat. Menceritakan tentang sudut pandang orang yang dipandang lemah, lagu ini pun menjadi ajang pembuktian dari Lucky Julian yang baru pertama kali menginjakkan kakinya ke ranah musik cadas. "Gue menjiwai lirik itu, dan cenderung gue merasakan emosinya dari lagu itu, karena gue pun ngerasain sendiri apa yang ada di liriknya. Sebagaimana gue berhasil keluar dari zona nyaman gue sekarang, gue buktiin gue bisa bangkit walaupun orang berpikir gue ga akan pernah bisa," jelas Lucky.

Kombinasi dari fenomena sosial yang diteriakkan, distorsi gitar yang meraung, kebuasan bass yang mendentum-dentum, pukulan-pukulan drum yang enerjik, serta sedikit bumbu dari irama southern rock, merupakan resep rahasia dari lagu ini. Sebuah suguhan yang memberikan pengalaman yang tidak pernah dirasakan sebelumnya untuk setiap pendengarnya.

PREPARE YOUR EARS!!!

www.defendhardcore.co.nr
www.facebook.com/defendhardcore
www.twitter.com/defendhardcore
www.instagram.com/defend_hc

Event Metal : LUMAJANG DEATH FEST - Metal Head Zine

  

Finite Merchandise 

Present :

"LUMAJANG DEATH FEST"
Sabtu,26 maret 2016
@GOR Wira Bhakti Lumajang

Guest Star :
JASAD (Bandung Brutal Death Metal)

Vomiting :
BRAIN DAMAGE (Surabaya Brutal Death Metal)
DIRTY INFAMOUS (Jember Brutal Death Metal)
HELLDEATH (Bali Death Metal)
GASSREEM (Lumajang Technical Death Metal)
KRUBUNGSHET (Lumajang Brutal Death Metal)
KOROSIF (Sidoarjo Death Metal)
RAJJENG (Tanggul Death Metal)
FEAR EPIDEMIC (Probolinggo Death Metal)
NEMATOCYST (Lumajang Death Metal)
DIE (Lumajang Brutal Death Metal)
VACUUM (Lumajang Death Grind)
LUCIFER (Jember Death Metal)

Suport :
Tuhan Yang Maha Esa
Lumajang Extreme Metal
Finite Merchandise
RUKEM (Rukun Karena Music)
Tanggul Metal Sindikat
Buthenk Merch
Qyubee Shop
Bahana Music Studio (Bali)
Semeru Outdoor
UASU (Bali)
Mithoz Art
Santana Metal Store
Sembayu Design

More Info :
087741410666 / 5520B0E2
085738865666 / 59F7468F

Event Metal : PURBALINGGA BAWAH TANAH - Metal Head Zine

Purbalingga Bawah Tanah
Minggu,13 Maret 2016
@ GOR Mahesa Jenar - Purbalingga.


Vomiting:

SOUL SICK(Jakarta Black Metal / Promo Album)
DEATH THERESIA (Jakarta Death Metal / Promo Album)
TORMENT IN DYING (Semarang Death Metal)
CROXOUS (Jakarta Trash Black Metal)
AMATERASU (Purbalingga Gothic Metal)
RATU DHEMIT (Cilacap Gothic Black Metal)
LATAHZAN (Purbalinhga Islamic Death Metal)
GREMORY (Purbalingga Gothic Metal)
FETUS DESTROYER (Purbalingga Slamming Death Metal)

WANTED !!!
8 Band Underground
Registrasi 200K

Info:
Dino Telah Kembali (081914931671) Pin 571e82a3
Dexa Hellblasting (085600122243) Pin 25e16aef
Indri (085875699049)

WELCOME SPONSORSHIP

IRON MAIDEN Show Off Their Incredible "Ed Force One" 747 Jet

Iron Maiden will soon embark on its world tour for The Book Of Souls (including China) record, and considering vocalist Bruce Dickinson is a pilot, that means it's time for an Iron Maiden jet! Fortunately for Iron Maiden, its immenese fanbase size directly correlates to the amount of money it has and how stylishly the band can travel… so enter The Book Of Souls 747 jet!
Seriously, check this damn thing out. The band is also doing a tour of it on Periscope, so go check that out as well!

What do you think ???

ILLUMINATOR SCHOOL 2016 - Metal Head Zine

PROGRESSER Artworker Indramayu

Present

Whorkshop Artwork Illustrator & Tour
ILLUMINATOR SCHOOL 2016

Sabtu, 13 Februari 2015
@ Gedung Dewan Kesenian Indramayu

- Exhibition Artwork
- Live Tutor
- Live Music Accoustic
- Live Drawing
- Mural Art
- Tatto & Body Painting
- Bazar
- Culture Performance

Ticket : 10k
Open Booth : 100k

More Info :
- 0896 8545 7001
- 0896 1197 8345

ALICE COOPER Classic 'School's Out' Is Basis Of New Slot Machine

U.K.-based slots developer Spike Games is creating a new title based on the classic Alice Cooper song "School's Out" under a new licensing deal.
When asked about the inspiration for this song, Cooper once said, "What's the greatest three minutes of your life? The last three minutes of the last day of school when you're sitting there and it's like a slow fuse burning."
Bringing one of the best feelings of anticipation to a slot format is why Spike Games has inked this deal. In Britain, the song went to No. 1 on the U.K. singles chart for three weeks in August 1972.
Rob Anderson, founder of Spike Games, said: "I love everything about this song.
"Alice Cooper is a huge deal worldwide. He's as popular in China as he is in his hometown.
"What attracted us most was how visually stunning Alice Cooper is. Everyone instantly knows the band when they see the famous one of a kind Alice Cooper makeup.
"'School's Out', as a song, has a timeless chorus and guitar riffs known by everyone young and old."
Cooper's merchandiser and licensing agent Global Merchandising Services, said: "We love the team at Spike Games and their whole approach to the Alice Cooper brand. Rob's knowledge and experience in slot game design stretches back 25 years and the quality of Spike Games product speaks for itself."
Spike Games has an existing library of proven slots aimed at the U.K. and international markets. This new must-have game will be available for mobile, tablet and PC in HTML5 hosted on the SpikeRGS and is available for license and distribution Q1 2016.

Read more at http://www.blabbermouth.net/news/alice-cooper-classic-schools-out-is-basis-of-new-slot-machine/#8BDPtB7F7ZFKgUxw.99

SLIPKNOT's '.5: The Gray Chapter' Certified Gold In Austria

SLIPKNOT's latest album, ".5: The
 Gray Chapter", has been certified gold in Austria for sales in excess of 7,500 copies.
A photo of SLIPKNOT drummer Jay Weinberg posing with his gold plaque can be seen below.
".5: The Gray Chapter" has sold 383,000 copies in the United States since its October 2014 release, according to Nielsen SoundScan.
SLIPKNOT has selected "Goodbye" as the next single from ".5: The Gray Chapter".
SLIPKNOT is nominated in both "Best Rock Album" (".5: The Gray Chapter") and "Best Metal Performance" ("Custer") categories at the 58th annual Grammy Awards, which will be held on February 15 at Staples Center in Los Angeles and broadcast on CBS at 8 p.m. ET.
Weinberg is the son of Bruce Springsteen drummer Max Weinberg.
SLIPKNOT announced its split with drummer Joey Jordison in December 2013 but did not disclose the reasons for his exit. The drummer subsequently issued a statement saying that he did not quit the group.
Weinberg was previously in the punk band AGAINST ME! and left under less-than-friendly circumstances.

DEFTONES Confirm 'Gore' Album Title, Tease New Song

DEFTONES have released a short teaser video for their new album, "Gore", due on April 8 via Warner Bros. Records. Check it out below.
During a November 2015 interiew with BBC Radio 1's "Rock Show", DEFTONES frontman Chino Moreno stated about "vibe" of the band's long-awaited follow-up to 2012's "Koi No Yokan": "I can't really compare it to our last couple of records. I mean, those two records were done in a very similar manner where we locked ourselves in a room for a short period of time and wrote and recorded it. And therefore, I feel like we sort of really captured this moment in time, and the records sort of sound cohesive because of that. This record was done sort of over a year, spread out over these little, tiny writing sections. So it sounds a bit more fragmented, but in a good way. I mean, I feel like you put on one song and it's completely different from the song after it, or previous to it. So it's not like we had this one main idea and we went in and we sort of went with that vibe. I mean, the vibe's sort of all over the place. So, like any DEFTONES record, I mean, it's got dynamics and there's loud aggressiveness and there's mellowness to it, but it's all sort of got an ebb and flow to it. I don't know… It'd be hard for me to just put it in words exactly what it sounds like. It's definitely a DEFTONES record. The way I look at it is it's a gradual step from where we last were."
According to Moreno, sixteen songs were written for DEFTONES' new CD, which was once again produced by Matt Hyde (SLAYER, CHILDREN OF BODOM, MONSTER MAGNET, WINDS OF PLAGUE). The effort features a guest appearance by Jerry Cantrell (ALICE IN CHAINS).

Read more at http://www.blabbermouth.net/news/deftones-confirm-gore-album-title-tease-new-song/#rzGVMrSiujlMd8KQ.99

Event Metal : TANGERANG HARDFEST - Metal Head Zine

TANGERANG HARD FEST 2016
Saturday 13 February 2016
at GOR The Cas, Bambu Apus, Pamulang, South Tangerang

Featurings
BESTIALITY (Freeyork, North Jakarta)
STRIKER (Magelang, Central Java)
SOULARE (South Jakarta)
FAITH INSTINCT (South Jakarta)
RECALCITRANCE (South Jakarta)
STRIDE (Depok, West Java)
MEANING OF LIFE (PARUNG, West Java
KILOMETER
TROUBLESHOOT
OVER BALANCE
STAYOUTS
TRUDGE
TRAPPED OUTSIDE
and More

IDR:15.000

Biografi Band GUGAT (Hardcore - Bandung) Metal Head Zine

Bulan Juli 2000 s/d akhir tahun 2002 GUGAT mengikuti parade-parade band dan membawakan lagu-lagu Sepultura, awal tahun 2003 GUGAT mencoba membuat lagu sendiri dengan konsep musik Trash Metal dan menghasilkan satu lagu berjudul Mati Rasa yang direkam di Studio Bintang 41, demo tsb sempat diputar di Radio GMR.

Ditengah kesibukan menggarap lagu lainnya, Jafar (Gitar) mengundurkan diri. Walau dengan satu gitar, GUGAT terus mengisi acara pentas musik di wilayah Cimahi.

Formasi ini bertahan hingga mengeluarkan satu single berjudul “Mati Rasa” yang tergabung dalam kompilasi Blasting Violent (Metal Head Productions). Namun setelah itu Black (Dram), Dronk (Bass) mengundurkan diri dan GUGAT pun sempat vakum. Ditengah kevakuman tsb, pada bulan Maret 2003 Oce (Gitar) bergabung menjadi Additional Gitar DINNING OUT.

GUGAT terbentuk pada bulan Juli 2000 di Cimahi, dengan formasi awal :

- Andy (Vokal)
- Oce (Gitar)
- Jafar (Gitar)
- Dronk (Bass)
- Black (Dram)

Line-up GUGAT Bulan Agustus 2004 :

- Andy (Vokal)
- Oce (Gitar)
- Budi (Bass)
- Iman Dinning Out (Drum)

Formasi ini tidak bertahan lama, Andy dan Budi pun mengundurkan diri. Awal tahun 2005 posisi Budi (Bass) diganti oleh Bayu sementara Andy (vokal) diganti oleh Diki dan Achie (Dinning Out). hingga sekarang line-up GUGAT adalah :

- Achie (Female Vocal)
- Dicky (Male Vocal)
- Oce (Guitar)
- Bayu (Bass)
- Iman (Drum)

Dan dengan formasi ini, GUGAT menggarap 6 materi lagu yang direkam secara Live (Semi Track) di Studio Bintang 41. Komposisi musik GUGAT banyak terpengaruh oleh Band seperti Pantera, Chimaira, Throwdown, Lamb of God, Machine Head, dll.

Untuk lirik GUGAT bercerita tentang seputar kehidupan sisi gelap manusia, semua disajikan dalam balutan teriakan, typical scream dengan beat-beat yang variatif.

Event Metal : PASURUAN BERISIK #1 - Metal Head Zine

PASURUAN BERISIK#1
24 januari 2016

@Gedung Merah PDI - Pasuruan
ALAM KUBUR (sby black metalizer) launcing album

Also Perfom:

-OVER DEATH (sda)
-SENGKOLOGENI (sby)
-TRAGEDI KERETA JENAZAH (bltr)
-DARKLIGHT (lmjg)
-HARAM (lwg)
-SINGGASANA (sda)
-DEAD FAINT (Psrn)
-DIMENSI 666 (sby)
-FATHER (Jmbr)
-KEMBANG PERAWAN (psrn)
-INTERNAL CORRUPT (sby)
-INFERNUM (psrn)
-LEONARD (psrn)
-HELL FAITH (psrn)
-DISEMMINATED IMPURITY (mlg)
-INVEKSI (psrn)
-GERGAJI (psrn)
-BEAUTY OF BLOOD (sda)
-DRAKSID (mdr)
-CLINIC ORGAN (bltr)
-PANTHEON.(Jmbr)
-BEJAT (psrn)
-SINDROMA NEFROTIC (psrn)
-DEATH WITH LIES (mlg)

SUPORT BY LOCAL UNDERGROUND NO DRUG NO ALKOHOL

Event Metal : HOOLIGAN ROCKERS #2 - Metal Head Zine

Chimenthous

Present 

HOOLIGAN ROCKERS#2
" Exclusive Anniversary Sisi 'n Sakti "
Sabtu. 30 januari 2016
@Gor Gembira Kebumen

Guestart :
1.Beside ( Bandung Melodic Metal )
2.Gugat ( Bandung Proggressive Hardcore )
3.Aftercoma ( Bandung metal core )
4.Kaluman ( Bandung Groove grinding assault )
5.KarnaMereka ( Jogja poppunk )
6. Jenseits ( gombong deathmetal )
7. Digression ( Kebumen deathgrind )
8. Agnostica ( Banyumas Oriental harmonic Blackmetal )
9. Ejakulasi ( Java Grindcore )
10. Grievious ( Cilacap Gothic Metal )
11. Ngruwat ( jatijajar blackmetal )
12. Nol Persen ( kebumen pop punk )
13. Gatholoco ( gombong hardcore )
14. Bleeding Incident ( kebumen Slamming Death Metal )
15. Jhonny miligram is back ( gombong skinhead Oi! )
16. Deadvoid ( Kebumen deathmetal )
17. Alfatalya ( Gombong Gothic metal )
18. Deathlawyer ( Gombong Deathmetal )
19. Stompdown ( gombong hardcore )
20. Szakor ( Sampang deathmetal )
21. Brangkal ( Gombong Deathmetal )

Tiket.
Freesale 30rb
Ots 40rb

Support :
Lik P.r.o.d
Chimenthous managment
Rottweiller
Hammerblood
Klinik Metalik
Seeiko
Black shadow merch
SouthGraveProd's.G
Fly Away cloth
Dark rebel
Artomoro digital printing
Gerry Distro 'n Babershop
War Side Merc.
Mads Rock Merch
Illuminator School Bandung
Hyfish Store

Cp.
Jazym 087 715 017 999
Doper 082326390044
Urik 087705444449
Email : jzm.chimenthous@gmail.com
Fb. Jazym panser chimenthous
STOP THEMADNESS

Upcoming Tours – Absu

.

Spring 2016 will seeMerelogical Nihilism Connexus Tour”. The main purpose of this tour is building up hype for Absu’s next studio album, which creatively will be named Apsu. As of now, said album is partially constructed, band frontman and percussionist Proscriptor claims that he’s completed recording the rhythm tracks, and makes statements that suggest that a great deal of effort has gone into the lyrics. Hopefully similar effort is being placed into the other aspects of the recording; word on the street is that Absu lost some critical direction and cohesion when they reformed. I guess we’ll just have to listen in; a release date has not yet been set for this material



Absu on their… cumbersomely named “
A list of confirmed tour dates follows. The gig in Somerville, MA places this technically in my commute radius.

March 17, 2016:  Richmond, VA – Strange Matter
March 18, 2016:  Charlotte, NC – Amos’ Southend (with Abbath & High On Fire)
March 19, 2016:  Charleston, SC – The Tin Roof
March 20, 2016:  Jacksonville, FL – Burro Bar
March 22, 2016:  Tampa, FL – Brass Mug
March 23, 2016:  Gainesville, FL – The Atlantic
March 24, 2016:  Atlanta, GA – The Basement
March 25, 2016:  New Orleans, LA – Siberia
March 26, 2016:  Houston, TX – Walter’s
March 27, 2016:  San Antonio, TX – The Korova
March 28, 2016:  Corpus Christi, TX – Boozerz
March 29, 2016:  Austin, TX – The Sidewinder
March 30, 2016:  Arlington, TX – Diamond Jim’s Saloon
March31, 2016:  El Paso, TX – The Sandbox
April 1, 2016:  Scottsdale, AZ – The Rogue
April 2, 2016:  San Diego, CA – Brick By Brick
April 3, 2016:  Los Angeles, CA – Complex
April 5, 2016:  Bakersfield, CA – Babylon
April 6, 2016:  Oakland, CA – Metro Operahouse
April 7, 201616:  Sacramento, CA – Starlite Lounge
April 8, 2016:  Portland, OR – Ash Street Saloon (Northwestern Black Circle Fest)
April9, 201616: Victoria, BC – Upstairs Cabaret
April10, 2016: Vancouver, BC – Astoria Pub
April 11, 2016:  Seattle, WA – The Highline
April 12, 2016:  Missoula, MT – The V
April 13, 2016:  Boise, ID – The Shredder
April 14, 2016:  Salt Lake City, UT – Metro Bar
April 15, 2016:  Denver, CO – Hi-Dive
April 16, 2016:  Kansas City, MO – The Riot Room
April 17, 2016:  St. Louis, MO – Fubar
April 18, 2016:  Omaha, NE – Lookout Lounge
April 19, 2016:  Minneapolis, MN – Triple Rock
April 20, 2016:  Milwaukee, WI – Frank’s Power Plant
April 21, 2016:  Columbus, OH – The Summit
April 22, 2016:  Pittsburgh, PA – The Smiling Moose
April 23, 2016:  Rochester, NY – Bug Jar
April 25, 2016:  Burlington, VT – T.B.A
April 26, 2016:  Portland, ME – Space Gallery
April 27, 2016:  Somerville, MA – ONCE Lounge
April 28, 2016:  Brooklyn, NY – Saint Vitus
April 29, 2016:  Philadelphia, PA – Kung Fu Necktie
April 30, 2016:  Raleigh, NC – The Maywood

Teratism

Grubby and dirt ridden medium paced Black Metal is what Teratism herald on their startling fourth full length. Right from the first opening moments of ‘Iesous Khristos Cambion’ they drag you into their subterranean lair to be disciplined with thoroughly rotten and violent soundwaves.  Ten tracks of excellently written and delivered harshness. As above ‘Iesous Khristos Cambion’ begins with a fairly solid but slow section featuring a trippy bassline but it quickly solidifies and picks up tempo into the core of the song. As the initial vocal salvo is launched a fresh offering of malice is heaped upon the ears.      this is a band that need no lightning fast blast beats  It becomes evident that this is a band that need no lightning fast blast beats or a billion picks a minute from the strings to make nasty music. Preferring to use sinister key changes with subtle adjustment to riffs and velocity as demonstrated witin the malignant pulsing of ‘My Wintery Embrace’.  After the next couple you’ll really begin to savour what Teratism have done. You can tell that they aren’t bowing to any trends or the will of others but simply abiding by their own influences, talent and, most importantly, will. ‘He Decends’ vividly exhibits the depth of music through rasping vocal shrieks that are often puked forth with a ton substance thanks to intelligent layering in just the right places and the value of having an audible bass guitar.      an injection of soily undead essences infused with filth  ‘From Serpent Loins, Poison Life’ stirs the cauldron with an injection of soily undead essences infused with filthy old school riffing and more horrendous screaming. That is over all too quickly and ‘Necrofuge’ barrels forth like a skeletal cavalry charge that lasts for six minutes. ‘Hagion Pneuma, Apochoreo’ introduces a more tune laden dimension even though it uses only a couple of riffs to good effect.  ‘A Trillion Slain’ boosts tempo as it careers through three and a half minutes of all out assault. Whereas ‘He, Wretched One’ is a great combination of everything. ‘I Am The Darkness’ and ‘Satanos Thronos Esti (Via Negativa)’ keep the consistency up right to the bitter end. You get the feeling Teratism have a serrated machete buried into your midrift and that whole band are leaning over you menacingly and twisting the blade as one.  This is an excellent album, one which comes thoroughly recommended but not only is the music of high calibre, the CD is well packaged with an outer card sleeve featuring extra artwork. Couple this with the well presented extensive 12 page booklet inside and you have something that is really worth your coin and more.